This is part of the 2025 Adventure Blogathon. Thanks to Gill and Barry for hosting; check out the other participants.
There are 50000 adventure films listed on IMDb. In order to cut down the size, I thought about people unlikely to be in an adventure film and settled on Bess Flowers. Flowers was a bit player who married a studio executive and became "Queen of the Extras," appearing in a thousand films (not an exaggeration; IMDb lists 1003), usually as a matronly society woman, uncredited, in the background for a few seconds. She was in more than 60 adventure films, so I decided on films listed as adventure on both IMDb and Letterboxd, where Bess appears as a party guest; that left 7. After checking to see if I had copies of the films, I submitted the list and started looking for her; once you've found Hitchcock in his films, you can graduate to Bess Flowers. I thought once I found out how they worked in these scenes, I'd have an idea on why.
This is when I realized I'd made a terrible mistake. I forgot that I'm faceblind. I'm the last person who should do this. I had to take stills of every shot in party scenes and compare them to known photos of Flowers, who changed a lot in 30 years.
Loose in London (1953)
This was one of the later Bowery Boy films, when the "boys" were middle-aged. Known more for hijinks or escapades than adventure, in this they leave the bowery for England when Satch is the presumed heir to a fortune. The other heirs try to discredit him by showing his uncouth manners at a party, but that backfires. Then they try to scare him off with pretending the mansion is haunted, and finally plan to frame him for murdering his rich relative. It works out of course and the boys go back to New York empty-handed.
The Buccaneer (1958)
In this, Yul Brynner plays real life privateer Lafitte, who aids Andrew Jackson (Charlton Heston) in the war against the British near New Orleans. There's a reception for the French ambassador when they were trying to make an alliance and a big party at war's end. So, pirates and war count as adventure.
Mighty Joe Young (1949)
Almost a generation after King Kong, the stop-motion animation in this is far superior. The story is similar, though this time a girl grows up with the giant ape (not literally). In my favorite scene, Joe wins at tug-of-war with a dozen strongmen, including Primo Carnera (World Heavyweight boxing champ) and Maurice Tillett (wrestling's Swiss Giant, who had acromegaly like Rondo Hatton). The ape is brought to be an attraction at a nightclub, where Bess Flowers is seen.
Dirigible (1931)
Today we invariably associate dirigibles with the Hindenburg, but in 1931 they were still marvels. Directed by Frank Capra, this has a pilot try to fly to the South Pole, followed by a dirigible that attempts it as well and has to rescue the pilot of the airplane and his crew. Of course, both pilots are in a love triangle with Fay Wray, who manages to wear a swimsuit and heels on a beach in this story about men in the Antarctic. There's some terrific miniature work in the scenes of survival in the cold.. There's also a going-away launch party (as they might not come back) and another to celebrate a happy ending.
Twilight for the Gods (1958)
Rock Hudson captains a ship with a leaking hull. Cyd Charisse is a passenger who doesn't want to go to the near port of Honolulu for good reason and so they take a riskier voyage. Cyd doesn't dance in this or even show her famous legs and she has no chemistry with Hudson, though of course their characters fall in love. Almost the entire film takes place on the ship, so the party scene occurs when Cyd has a flashback to how she got into this mess.
Hell's Island (1955)
John Payne was a leading man who aged badly and by this time was playing heroes who were down-and-out tough guys. Phil Karlson directed some of the toughest film noir. They shot this in color,but it's still in the noir mold, with Payne hired to find a ruby on an island that has both a crocodile pit and his ex-girlfriend. Everyone double-crosses everyone and all information is reluctantly delivered after a beating. The mystery is, of course, solved. The very brief party is at the start, where Payne is still holding on to respectability, and is supposed to be how the main characters meet.
Mr. Reckless (1948)
This is a comedy, a romance, and an adventure, but never settles on what it wants to be. It starts with a taxi crashing into a restaurant as a way to introduce the characters. Young man loves young woman who's engaged to older man and they all plan to work in an oil field for some reason. The older man gets drunk and loses his money in a poker game, then gets sealed in a tank when he can't pay and the younger man comes to the rescue and the girl decides she's in love with him. The party scene is for the wedding that never takes place.
So, why are there fancy parties in these disparate adventure films? I think it's to contrast with the adventure. These people could have been comfortable and happy, but chose to go on uncomfortable and grueling adventures. The trials are heightened when you see what they were accustomed to. It's a clever idea that wouldn't have occurred to me had I not done this project.